A logo is one piece of an identity. Around it go the type, the colours and the rules for using them, and those are what make everything you put out afterwards look like it came from the same place.
Send your logo, your Instagram or your site and you get back a short recorded critique: what is working, what is costing you customers, and the three things I would change first. It is real work, it takes me an afternoon, and it costs you nothing. Most people can act on it without hiring anybody.
The primary mark and its variations, the typefaces and how they are set, the palette, and the rules that keep it consistent. Logo motion if the mark needs to move, which it usually does the moment it goes on a reel or a story. Then the applications: apparel, packaging, print, whatever the brand actually has to survive.
Brand identity, logos, logo motion and apparel for clients across Beirut and beyond, including athletic and combat-sports brands where the mark has to work stitched onto a rashguard at two centimetres and on a banner at two metres. That constraint is the whole test of a logo.
See the work: client sites + branding & design +
One-off design work is quoted per project, because a single mark and a full identity with apparel and packaging behind it are not the same job. Start with the free brand teardown and you will know what you actually need before anyone quotes you anything.
The mark in every format you will need for print and screen, the typefaces and colours written down, and the rules for using them. If we do motion, you get the animated version for your reels and stories too.
Nothing. You send what you have, I record a critique and send it back within 3 days, and it is yours to keep whether or not you ever hire me.
Yes, and it changes how the mark should be drawn. A logo that only works on a website falls apart embroidered on a sleeve. Rashguards, fight kits, retail packaging and print are all work I do regularly.